In 1900 a book called The Wonderful Wizard of Oz was published. Author L. Frank Baum stated that he intended to write ‘a series of of newer “wonder tales” in which the stereotyped genie, dwarf and fairy are eliminated, together with…horrible and bloodcurdling incidents’.
.jpg)
Despite this intention I found the film version terrifying in parts when I saw it at the pictures as a five-year-old. Shortly afterwards my parents took me to see 2001: A Space Odyssey, so I guess they had some kind of plan to warp my mind through cinema.

It was on UK TV one Christmas, about 1975. This second viewing impressed me in a different way – it seemed like the kind of fantasy quest tale I enjoyed in books, in a childlike but timeless world. When Marvel and DC comics publishers teamed up to publish a comic-book version, illustrated by John Buscema who also drew The Savage Sword of Conan, I was beside myself with excitement. Despite not knowing what ‘intertextuality’ meant, I was keen on it when it came my way in a four-colour ‘Special Collector’s Issue!!’.

I suppose there’s a deep-seated urge to travel from ‘the great grey prairie’ of the day-to-day to a world of strange wonders. Perhaps this was at the back of my mind when I wagered with one of the University departments that, were they to achieve their targets, I would ‘dress as their choice of Oz character’. Naturally said targets were met, so here I am.
In some ways the Oz stories are works of realism: life is full of surprises and transformations, and sometimes you find that you’ve moved to a new world where everything is different, where people use strange words and things work according to unfathomable rules. But it’s not all good stuff. Cancer, for instance, is an unwanted transformation. It is a world with its own language and rules, but no-one wants to have to learn them. And, sadly, some people don’t make it home again. But many do, thanks to the care they receive and the research that underpins it. With this in mind, this dressing up gig is raising funds for North West Charity Research: click here to see what’s been raised, or to make a donation.
As well as being a bit of random horseplay and fundraising, this is also a serious psychogeographical experiment. I’m looking for evidence of the Emerald City in the Edge Hill campus. In the book, the Emerald City isn’t very emerald. The Guardian of the Gate gives everyone green-tinted spectacles before they enter, as ‘if you did not wear spectacles, the brightness and glory of the Emerald City would blind you’.
But as it turns out, there is plenty of emerald marvel to be seen with the naked eye…
All done now. The journey raised a lot of smiles, helping make the campus a ‘merry old town’ for a while. Got over £500 so felt I had kicked cancer in the ass with my dainty ruby slippered foot.



er………………….pussy! but hey for a good cause.
While in Chicago I made a point of tracking to Oz Park, which commemorates – or at least is named in honour of – L F Baum being a resident of the city (the park is on North Lincoln, I believe he lived one suburb west but could be wrong about that). The park commemorates L F B with a statue of the Tin Woodsman.
Incidentally the underground / experimental filmmaker and magus Harry Smith started – but I don’t think finished- two films about Oz: Number 13 Oz (‘62) and Number 16 The Tin Woodsman’s Dream, in (‘67).
One interesting element in the books is that the land of Oz is so often entered via traumatic disaster (Tornado, earthquake, storm, sinking boat and so on).
Alan: as I recall, your original comment was ‘Schwingg!!’ – little confused there buddy? lol
Jack: cheers for the info! Maybe I’ll use my free Virgin flight to go and have a butchers.
Oh THANK YOU for making my day. I’ve got coffee all over my screen, nearly died laughing.
You, Sir, are a persistent delight.
One does one’s best.
Somehow missed this! Had to do a triple take on that photo of you on the path!!
A little mistake…. You used shoes hit no heel
Magic was in those.