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Posts Tagged ‘easter’

…sang Patti Smith, once upon a time. Only partially true in our case, though we talked about walks and other journeys during the arts weekend we facilitated at Othona (The Map is not the Territory). It was great to be able to lay out all the maps from my journey so far…

Our house is small, fitting round us like a brick exoskeleton, so unfurling them in a spirit of profligate abandon was a treat, as was the opportunity to pace up and down on them barefoot, remarking on items I had found along the way.

Jennie’s ‘songline’ was a spectacle I wish I had recorded, but it didn’t exist long enough for a shutter to click.

The weekend went well, and I’m looking forward to its second outing at Woodbrooke in August. As well as a really interesting, engaged group, fantastic weather in Dorset helped…

Afterwards, we had a day in Lyme Regis, spent some time in Brighton and then in Halesowen – places on the once and future route.


Entering the Lyme blue period


Leaving the George in Bridport


A Station of the Cross in Dave’s Comic Shop (the best of its kind bar none), part of a ‘Beyond Church’ project – would like to have seen more of this.


Chez Dimitrina ready to dom the world


Punky tree, Dufy blue bus station

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I’m writing this on Easter Saturday, an in-between-time in the Christian calendar, G-d’s absence made official for a day. I’m in a hotel at Heathrow, a place that exists mainly to be part of the way to other places; sited just within the M25, the imposed city boundary explored by Iain Sinclair in his book London Orbital. We’re not actually going anywhere, though: I’m at Orbital, a science fiction convention, mingling with 1,200 people fluent in reimagined worlds, alternative realities, futures that break in to the present. Resting up. Two days ago I completed the latest leg of my walk, from Parkgate to Chester, through land I don’t know, weaving between countries, between pilgrimage and leisure ramble, art and lark, present and past. Jennie dropped me off and headed on down to Birmingham University to pursue her transgender theology research. As she left, a heron on the saltmarsh ate a fish and flapped lazily away towards the industrial park.

Ultimately I don’t know what I’m doing, but I’m getting something about crossing and recrossing boundaries.

After the heron sighting, possibly the closest I have ever been to one of these birds, I resumed my walk. An immediate sidetrack took me along the Ropewalk, a path through a narrow park, presumably once an actual ropewalk where great lengths of rope would be twisted into being. I tried to skirt Little Neston but (after photographing a dead, abandoned Christmas tree – the first of three seen on this trip) was hurtled into suburban streets. Despite having lived most of my life in suburbs, I find walking through strange ones rather unnerving (more so than cities or countryside.) Perhaps it is because they exist purely to domicile the residents – they do not offer anything for the casual visitor to interact with.

Back in the open, wet wind cutting through me, just walking, the Dee on my right. Veering inland, through villages and farms that are pretty but somehow forbidding (similarly to the suburbs) – without shops, pubs or pavements, these seem like places for the residents only. Handwritten signs warning about traveller sightings in the vicinity add to the exclusive atmosphere. At Shotwick I visited St Michael’s Church, and learned that, like Parkgate, this had been a thriving port before the silting of the river prevented navigation by larger craft. Hard to imagine it as a bustling port, now. You can’t beat geography, it will get you in the end, playing some unexpected trump card. (I wonder what equivalent of silt will eventually silence today’s transport and communication hubs – rendering Heathrow, Spaghetti Junction, and Google as quiet as this place).

Soon after this I negotiated the roundabout where the A550 meets the A558 and found myself (actually a bit lost) in an industrial estate which featured a substantial rookery (ie trees with rooks’ nests, not a mazelike slum filled with Dickensian crime-urchins). Dual-language signs indicated that I had crossed into Wales. I found a disused railway line, transformed into a cycling track and footpath, which headed towards Chester. These kind of paths are like bit like the hyperspace wormholes of science fiction – the directness of the former railways enables you to get to places quickly, without the need to navigate – just keep walking, mile on mile – it almost feels like cheating.

path

They also act as a kind of subconscious to the towns they pass through, the place where awkward detritus ends up – abandoned beds, dead Christmas trees (artificial and organic), wild growth, secret burnings and scribblings. Some graffiti was quite nice – Ryan’s account of his love for Rachel, recounted on the bench where their first date and kiss occurred, et seq.

A mile or so outside Chester I switched to the path along the Shropshire Union Canal. Entering a city via a waterway is a gentle and somewhat covert way in – it’s hard to tell where the city limits have been crossed, you just sort of arrive, behind things. I climbed up to street level when the buildings looked big enough to be interesting; walked through a terrace/student area and found the city walls. A bookshop on the wall offered some restorative moments. I decided to save a proper exploration of Chester for another time (science fiction was calling me by then), and walked briskly to the station, stopping only for a pint in the Union Vaults, a corner pub with nice beer and an excitable clientele (on this day discussing loudly whether, if we all marched to Westminster at once to institute an Anarchist state, they would be allowed to shoot at us).

The places on this journey were not mine – across flat landscapes where the sky seemed big and empty. Now and again a strange cluster of things caught my eye: daffodils around a No Through Road sign; a discarded leather jacket behind a stone gatepost, snails clustered in its empty socket. Metal fenceposts sang in the wind.

Pictures

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